#L2 STEREO MASTER PROFESSIONAL#
My professional work is spread between mixing and mastering, and some production as well. The idea of applying mix bus processing during the early stages of the mixing process has become a hot topic, but let’s take that idea one step further and start our mastering process during the mix. A great mastering engineer may still beat your achievement, but that step is not always possible or practical for everyone.
#L2 STEREO MASTER SOFTWARE#
You should strive to get to a place where you have the technical knowledge and trust in your ears, your listening environment, and your software so that you can create acceptable masters. Be sure to dial in your monitoring, acoustics, and headphones, with the help of Sonarworks software and our blog articles!īy applying our tips in this and our other articles I want you to feel confident that you can accomplish the above results. You must trust that what you hear is what everyone else will experience. Since this article covers mastering your own material, we have to assume that you are prepared to risk the pitfalls of the first three items on the above list.
Fourth, mastering provides an opportunity to focus on technical tasks, like embedding metadata and exporting to the proper format(s) ( bit depth, sample rate, compression) for specific delivery platforms, CD manufacturing or vinyl cutting.This requires accurate monitoring and sometimes specialized noise-reduction software. Third, mastering is a chance to QC (quality control check) the song without creative judgment listening for clicks, pops, distortions, and noises that we may have overlooked during the process of creation.Second, mastering is where we make sure our mix not only sounds the best it can, but also that it fits in with the other songs it will play with, be that a specific playlist, a specific genre, or just something like top-40 radio.Mastering, therefore, needs to take place in an environment with excellent monitoring conditions. First, mastering should be a second opinion or reality check on a mix that we may be so close to that we lose perspective.It is important that we keep in mind that traditional mastering provides these benefits: We have a post on top-down mixing techniques and also some in-depth mastering tips, so we won’t duplicate too much of that information here, but this will be an in-depth look at this process. In this article, I would like to discuss the “top-down” technique of mastering while you mix. The staff at Sonarworks, who like many of you, are producers, engineers, and mixers, suggested an article to describe the modern situation, where mastering is an integral part of mixing. We recently posted a blog about mastering and how that skill can improve your mixing technique.
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